IS ROMA CULTURE A SUBCULTURE, DAMAGING MAINSTREAM CULTURE?
On 2 July 2014, The Romanian Peasant Museum in Bucharest opened its doors to host an exhibition of paintings, called “Confluence, influence – in art?”. All paintings have been made by the Roma painter and sculptor George Mihai Vasilescu, also present on this Khetanes site and member of the Visual Arts and Paintings Group. The exhibition of paintings of manele musicians, that will last until 8 July 2014, caused a stir in Romanian press and social media. The director of the museum, Virgil Stefan Nitulescu, was even asked to resign, by - among others - Bogdan Dianocu, a Romanian politician, who started a campaign on his Facebook page.
The painter himself received threats. The feelings started running that high that foreign press got involved. Le Huffington Post (Canada), die Welt (Germany) and France Press report about “continuing insults and threats” and “hate-speeches against exhibit”.
George Mihai Vasilescu in the Museum in Bucharest, standing in front of two of his works. Photo by Lucian Muntean
What happened?..
George Mihai Vasilescu is not an amateur. He exhibited his work in Graz, Austria, Strasbourg, France, and in the Galerie “Kai Dikhas” in Berlin, Germany. Recently the painter made a series of portraits of famous manele artists, vocalists as well as musicians. Manele is a music style in Romania, divided in classical and modern manele. The classical manele are a Turkish-derived genre, performed by mostly Romani musicians (Wikipedia).
With oil on canvas and gold leaf, the painter portrayed Florin Salam, Adrian Minune, Vali Vijelic and bands like Taraf de Haïdouks. Artists that are also very popular among Romanians and whose music can be heard in disco’s all over the country. So far all okay. The problems arose, when it was decided that the exhibition would take place in The Romanian Peasant Museum. This institution is dedicated to Romanian culture, has some rooms where usually contemporary art exhibitions take place and is one of the highlight spots in Bucharest.
Muzeul Taranului Roman, The Romanian Peasant Museum on the day of the opening of the exhibition, 2 July 2014. From the left to the right: Pavel Susara, curator of the exhibition, and top art expert in Romania, George Mihai Vasilescu and Virgil Stefan Nitulescu, director of the Museum (Photo by Lucian Muntean)
Roma culture “part of” or “against” Romanian culture?
Should this museum host portraits of manele singers and gypsies? The director, Virgil Stefan Nitulescu, fully backed the artist and stressed the freedom of artistic expression. He, Nitulescu, will not stop the exhibition, there is no place for censorship, he states. Also the curator of the exhibition, Pavel Susara, a top art expert in Romania, supports the painter. Many other Romanians, however, commented that this exhibit would harm the national image. They call Roma culture a subculture, a culture of belly dancers, and they make fun of their foreign critics in Germany, France and elsewhere, who accuse them of racism. Would the French show these works of art in the “Louvre”, would the Germans show them in their “Altes Museum” in Berlin?
Also Bogdan Diaconu, the politician who takes a lead in the anti-campaign, denies that he goes against an ethnicity. It is the subculture and its music that he focuses on. But The Romanian Peasant Museum is not performing concerts, it is exhibiting visual art! If painters are only allowed to paint what the audience pleases, museums worldwide would be empty.
Also in Romania, Roma live in social exclusion, in isolated places or surrounded by walls. Art, however, is free. It cannot be socially excluded, even it if reminds us of the existence of co-citizens whom we try to ignore. That seems to be the real problem in Romania, and unfortunately not only there.
Main TV and (international) media are confering now whether this is racism or not. It promises no good that Romanians defend themselves by pointing at the murder on the Roma boy in France who was lynched. Even the name of Hitler turns up. Germans should be silent instead of criticizing. Very seldom one can read about art! (Photo by Lucian Muntean)
On this site, where art has a major role as a motor for creativity and better understanding, comments by collegue artists, museum directors, curators and media experts will be highly welcomed!
Els de Groen
writer, poet and former critic
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REACTIONS FROM INTERNATIONAL MEDIA:
Reaction from World Artists Initiative "Khetanes":
Beginning of August, it was decided that "Khetanes" would start an open letter campaign. Within less than one week, 29 artists, scholars and activists decided to co-sign. We publish the text of the letter here, with the names of the first co-signers and those who joined later. If you want your name to be added, please, mention this in the comments of this blog. Regularly new names will be added to the existing list.
In September, TV broadcastings will again pay attention to what happened in Bucharest. Also in September we will further distribute this letter. Freedom of the arts is a dear principle, and not only in Romania. We will defend it anywhere and we count on your support!
Els
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World Artists Initiative "Khetanes"
Phone: +31-6-466 318 47
E-mail: Artists_Initiative@ziggo.nl
Netherlands, August 2014
OPEN LETTER
Is Roma culture a subculture damaging mainstream culture?
Censorship is a complex head with different sides to its face: an official side based on law and an unofficial side based on fear and manipulation. Both sides are closely related. Under Nazi rule, in the 1940s, books were banned and swing music was forbidden in Europe. In the second half of that century, communist censorship silenced dissident artists. Today most Europeans live in the area of the EU Charter of the Fundamental Rights and its article 13: Freedom of the arts and sciences. Yet we see again censorship, the unofficial variant! Do we resign and accept practices that are fatal to art?
The Romanian painter George Mihai Vasilescu is not an amateur. He exhibited his work in Austria, France, Bangladesh and in Germany, in the Gallery “Kai Dikhas” in Berlin. Recently the painter made a series of portraits of famous manele artists, vocalists as well as musicians. With oil on canvas and gold leaf, the painter portrayed Florin Salam, Adrian Minune, Vali Vijelic and others, and also renowned bands like Taraf de Haïdouks, stars at international music festivals.
From 2 July – 8 July 2014, the Romanian Peasant Museum in Bucharest hosted an exhibition of Vasilescu’s work, entitled “Confluence, influence – in art”. Four national Romanian TV channels and written media reported on the event. Also foreign press got involved. BBC for example was interested for making a documentary on the very musicians that the painter had portrayed. Other foreign media, from Germany, France, Austria and Canada, stepped in because of a smear campaign against the exhibition and the director of the museum, that had nothing to do with art. Local Romanians protested against portraying musicians from a Gypsy “subculture” in their mainstream culture museum. The exhibition should be closed, and the director (who received death threats) should quit his job. Protesters called it a scandal to exhibit portraits of Gypsies.
Luckily the director, Virgil Stefan Nitulescu, refused “to censor art”. And also the curator, Pavel Susara, a top art expert in Romania, fully backed the painter. Both stood firm during the insulting Facebook campaign by Bogdan Dianocu, a Romanian politician (social democrat party).
Meanwhile the exhibition is over, the artworks have been stored in a room not accessible for audience, but the campaign went on… Two days after the closure of the exhibition, Prima TV (national television) made a short documentary for which the painter and Vadim Tudor had been invited. Vadim Tudor, President of Romania Mare, (nationalist, far right party) and Member of European Parliament, called the painter “talented”, “a big promise” even, but also advised him to paint more serious themes… And Vadim Tudor underlined that the Romanian Peasant Museum was not the right place to exhibit. In the final documentary, broadcasted on 10 July, this was the major message, due to cuts by the makers.
In brief, according to the protesters, a Romanian culture museum should not offer room for what a majority considers to be a “subculture”. The word “sub” stirs up another word “superior”, exactly the way the word “unter” stirs up the word “über”. Do politicians again have the right to decide what is “sub” or “superior”? What is serious and allowed, and what is inferior and must be banned?
And we, colleague artists, curators, directors of museums, journalists and legal experts, what do we do? Do we resign and accept a censorship that is violating fundamental rights and is fatal to art?
Those who do not resign, please sign this open Khetanes letter!
See for more details: http://artists-for-roma-net.ning.com/profiles/blogs/is-roma-culture...
Els de Groen, writer, poet, initiator of “Khetanes”, Netherlands
Dr. Virgil Ștefan NIȚULESCU, manager, the National Museum of the Romanian Peasant, Romania
Moritz Pankok, künstlerischer Leiter der Galerie Kai Dikhas Berlin, Germany
Ronald Lee, writer and lecturer, Canada
Marvin Steel, visual artist, USA
Garth Cartwright, journalist and author, UK
Félix Monget, painter and poet, France
Roberto Malini, writer, artist, co-president EveryOne Group, Italy
Dario Picciau, artist, movie director, co-president EveryOne Group, Italy
Omar Bhatia, visual artist & writer, UK
Catherine Gaudin, photographe, France
Seydou Toure, photographe et cineaste, France
Fabien Dako, cineaste, écrivain, auteur indépendant, France
Dominique Louriou-Eberhardt, zweite Vorsitzende des Rroma Kultur Rad e.V. Berlin, Germany
Ciuin Ferrin, Educational Director, O Porrajmos Educational Society, USA
Elena Marushiakova, Studii Romani society, Bulgaria
Veselin Popov, Studii Romani society, Bulgaria
Roxana Marin, translator and human rights activist, Romania
Stefan Ivanov, curator Etnografski muzey Kotel, Bulgaria
Pascal Pistone, pianiste, auteur compositeur et réalisateur, France
François Bettancourt, pianiste, France
Clémence Savelli, chanteuse, auteur compositeur, interprète, France
Alma Bettancourt, chanteuse, France
Adèle Pistone, chanteuse, France
Florence Guerfy, comédienne, France
Raluca Petcutz, human rights activist, Romania
Paul Hitter, visual artist, Romania
Dinu Adam, writer, translator, journalist, Romania
Márton Rövid, academic, Hungary
Viola Razavi, dancer, psychologist, Germany
Musa Moris Farhi, novelist, UK
Paul Jay Polansky, poet, USA
Kike del Olmo, photographer, Spain
Judith A. Sivonda, painter, sculptor, USA
Leisl Bonell, singer, creative, band Juana Ghani, USA
Brian Bonell, musician, band Juana Ghani, civil engineer, USA
Emma Roper Evans, writer, UK
Cara De Silva, writer and lecturer, USA
Stephane Karo, Divano, music producer, Belgium, also on behalf of:
Taraf de Haïdouks, band, Romania
Koçani Orkestar, band, Macedonia
Gabrielle Rensch, musician, Canada
Marco Brazzoduro, university professor, president of the Association: Citadinanza e Minoranze, Italy
Talitha Brauer, photographer, Germany
H.U. Ellenberger, translator, Italy/Switzerland
Pauline Lee, human rights activist, Ireland
Fredy Hoffman Reinhardt, writer, Costa Rica
Alexandra Beaujard, musician, singer, dancer, France, also on behalf of
Nadara Gypsy Band, France/Romania
Asociata Culturala Nadara, Roma O.N.G., Romania
Saimir Mile, poet and lawyer, Association "La Voix des Rroms", France
Zuzana Brejcha, film director, Austria
Monica Bodirsky, artist, arts educator, activist, Canada
Andreas Loessl, researcher, Germany
The Guitar Machine, band, Italy
Wout J. van Vloten, independent researcher diffusing cultural & social historical facts relating to Rrom and Travellers / Gens du Voyage, Netherlands
Elez Bislim, Blogger, independent researcher on the Romani History, Language and Culture, Co-Founder of the Lumijakhere Rroma (www.worldrroma.org), Brazil
Milos Vasic, Udruzenje likovni umethika Roma Srbije, LUR, Fine Arts Association of Roma in Serbia, Serbia
Menno van der Reijden, chairman of the Hotclubs de France-Nederland Foundation, Netherlands
Carol Silverman, Professor Department of Anthropology University of Oregon, USA
Grattan Puxon, author, 8 April Movement, UK
Kerstin König, human rights activist, Germany
Dick Blau, photographer, USA
Hristo Kyuchukov, linguist, educator, Free University of Berlin, Germany
Barbara White, musician, UK
Patrick Jasper Lee, author, artist, composer, UK
Slavica Stojanovic, feminist activist, Serbia
Karin White, academic, Institute of technology, Social Sciences, Ireland
Shaukat Ali, writer, Pakistan
Margareta Matache, Roma rights activist, Romania
Rana Aida Halprin, dancer, documentary photographer, activist artist, USA
Tini Chris, musician, artist, media, human rights activist, Hungary
Paul Rafferty, journalist, USA/Netherlands
Bajram Haliti, lawyer, journalist and publicist, Serbia
Annabel Carballo Mesa, human rights activist, Spain
Agnes Daroczi, Romano Institution Foundation - Budapest, Hungary
Dr Adrian Marsh, PhD, Researcher in Romani Studies, Turkey
Bill Bila, Board member - Roma Education Fund, volunteer La Voix des Rroms, Board member - Roma Education Support trust, France
Gabriela Hrabanova, RomaReact, Brussels, Belgium
Lukás Houdek, photographer, publisher and editor, Czech Republic
Jasmine Dellal, Film Director/Producer, writer, Little Dust Productions, USA
Andreas Lehner, Vorsitzender Volkshochschule der Bürgenländischen Roma, Austria
Carmen de Torres, Flamenco dancer, Singer, Teacher and Choreographer from Sevilla, Spain
Julia Bolton Holloway, Professor Emerita, USA
Janardhan Pathania, writer, India
Peter Jorna, Consutant Social Inclusion, Roma & Sinti Issues, Netherlands
Selahetin Kruezi, writer, Denmark
Jud Nirenberg, author, publisher, chairperson of American Council for Romani Equality, USA
Bob Kozak, Songwriter, Composer, Musician, Photographer, Business owner, Canada
Lynn Hutchinson Lee, artist, member of Toronto Roma Community Centre, Canada
Panayote Dimitras, Human Rights Advocate, Greek Helsinki Monitor, Greece
Dragan Ristic, musician (KAL band), Serbia
Lynda Kraar, musician, philantropic consultant, USA
Sali Ibrahim, writer, poet, Bulgaria
Isabelle Deledda, human rights activist, visual artist, France, also on behalf of
Latcho Rom Strasbourg, France
Emil Robert Cohen, human rights activist, Sofia, Bulgaria
Orhan Galjus, C.E.O. Radio Patrin, Netherlands
Peter Vermeersch, political scientist and writer, Belgium
Edina Tordai, lawyer and human rights activist, Hungary
Claire-lyne Xylena Apotheloz, visual artist, USA
Adrian Voichitescu, actor, producer International Romani Art Festival (IRAF), Romania
Rabbi Galina Trefil, Film Director, Writer, USA
Sani Rifati, President of Voice of Roma, Californea, USA
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INTERNATIONAL GIPSY FESTIVAL IN TILBURG, NETHERLANDS, MAY 2015
May, 2015, George Vasilescu was invited to come over to the Netherlands in order to attend the International Gipsy Festival, where 10 huge banners (2 x 2 m), each with prints of his paintings, were going to be exhibited in the large Festival garden.
Amongst Vasilescu's works are the pieces of art, shown in the Peasant Museum in Bucharest in summer 2014.
One of his works is a portrait of the Romanian band "Fanfara Ciocalia". During the Sunday programme of the Festival (31 May), Fanfara Ciocalia will perform with the Canadian guitar player Adrian Raso in a show called "Devil's Tale": a very special mix of Balkan brass and Gipsyjazz.
THANK YOU, ALBERT SIEBELINK!
It was Albert Siebelink, director of the Festival, who invited George to exhibit his paintings. The Romani artists whom the painter has portrayed, happen to be famous and much appreciated musicians at the International Gipsy festival in Tilburg e.g. Taraf de Haïdouks (2014) and Fanfara Ciocalia (2015). The opening of the Festival was done by Marcelle Hendrickx, Councillor of the City of Tilburg.
SURPRISE!..
And then there was a surprise: the councillor presented a portrait in oil of Albert Siebelink, made by George Vasilescu. On the photo Albert is showing the portrait to the press. With the portrait, the city of Tilburg welcomed the cooperation between Albert Siebelink and George Vasilescu.
Albert Siebelink en George Vasilescu, just before the start of the first concerts on Saturday, 30 May, in Tilburg:
Immediately after the first musicians and also dancers took the floor: Zigeunerorkest Brandt, No Sikiriki Banda, Amariszi, Albert Bello / Oriol Sana and Paulus and Noah Schäfer, Mec Yek, Rafael Sanchez Quintet featuring Marco Cruz, Project Rakija, The Gipsy Wolves, Vojasa, Barcelona Gipsy Klezmer Orchestra, BandAdriatica, Roby Lakatos / Giani Lincan, Bubliczki and Defil's Tale, with Fanfara Ciocarlia featuring Adrian Raso...
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Comment by Kristina Burbank on July 9, 2014 at 17:26
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CONGRATULATIONS, George, for visualizing and manifesting such an impactful exhibit! It certainly advanced a much needed conversation about tolerance.
I am thankful you and Pavel and Virgil are safe and sound. How scary to receive threats. Thank you for being brave and focused on the art in the face of adversity. Keep putting safety first.
Thank goodness for people like Els, and members of the foreign press, for filing reports so the insults, threats, and hate speech now have been publicly documented.
To add my voice to the harmony, I’ll tone in on the questions...
Is Roma culture “part of” or “against” Romanian culture?
part of ...
Humbly, I suggest that if the government of a nation wants a) to keep its youth/citizens safe and sound AND b) to remain unified, then it is equitable, dignified, and just that every nation’s culture museum feature glorious exhibits about all the different types of people there.
Should the museum host portraits of Gypsy manele singers?
Should is a guilt inducing word, but, yes, it should, and, thankfully, it already did!! Good job, George, Pavel and Virgil!!!
Also humbly, I propose that human beings that make fun of other people OR say things like “Roma culture is a subculture, a culture of belly dancers” are acting mean. Eventually, their damaging argument will be disqualified, deemed irrelevant in our minds AND within proper public forums.
Making fun of another person and saying that certain people are “sub” can both be classified as mean, certainly parents, teachers, preachers, doctors, lawyers, and others would agree. Moreover, racism is another way to say acting mean, so since the subculture comment is mean and involves race, then it can be considered an example of racism.
I’ll close with these thoughts. My Mom says, “If you cannot say anything nice, do not say anything at all.” Why? For so many good reasons that we have all heard about since we were children, but Ice Cube's simple sentiments sum it up for now: “check yourself before you wreck yourself”.
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Comment by Stoimen on July 9, 2014 at 20:40
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Very well said!
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Comment by Leisl Bonell on August 18, 2014 at 18:24
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I have emailed you as well, but please add my name to these signatures.
Leisl Bonell, singer, USA
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Comment by Talitha Brauer on August 18, 2014 at 23:23
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Please add my name to the letter:
Talitha Brauer, photographer, Germany
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Comment by Fredy Hoffmann Reinhardt on August 19, 2014 at 0:45 -
Thank you for this opportunity.Myself I am Romm-Sinto and very proud to be
what I am.There is no such thing like subculture, what Roma or Sinte are concerned.We are different and we are having our own believings and culture,
but this doesn´t make us a subculture in the very negative sense of this word.
Opre Roma
Fredy/ Yanko Weiss Reinhardt
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Comment by Nadara Gypsy Band on August 19, 2014 at 1:15
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I sign!
Alexandra Beaujard, Musician, singer, dancer, France, also behalf of:
Nadara gypsy band, France/Romania
Asociatia Culturala Nadara, Roma ong, Romania
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It's terrible to see that lot of people always think that roma shouldn't exist, in romania lot of people consider roma as animals...
What it's really incredible is because the museum show a painting exhibition and not a concert!!! The painter is free to paint what he want, even he paint roma singers.
The reality is that in Romania roma musicians and producer have quite all the music market in their hands, and it make this kind of people crazy. Yes Roma are great artist as they were, and as they will. And thanks to them for hundreds of years they played and conserved the traditional romanian music. They excell in all kind of music from classic, to folk, jazz and manele wich is a very big musical movment in Romania that had changed the music majors in Romania. First more folkloristic, and pop music had the market. But not only roma people like this music, it's very popular in all comunity as romanian and ungarian people ask manele at their party, clubs and weddings. This singers became very rich and famous it's specialy why some as Diaconu hate them and made lot of media atack against manele artist. When americans or occidental people make money it's ok. When roma make money, or they are robbers or mafiosi or now a subculture...
Opre roma!
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Comment by Elez Bislim on August 19, 2014 at 22:50
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Lumijakhere Rroma,
In the 21 Century happens this, it's for shame, we don't have our country but the country where we live has to be proud of us that we product positive things not just for the Rroma people also for the country. Well done pralla show the good things that also we can organize something for our people .
Devlesa
Lumijakhere Rroma
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Comment by Menno J.H van der Reijden on August 20, 2014 at 20:46
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strange how musicians can be loved abroad and celebrated as a fine example and representative of their country and not liked by their fellow countrymen. I only take Taraf de Haïdouk, for I've seen them perform in Tilburg, Holland and in Samois, France and even in an early Tony Gatliff movie. Great original musicians at every venue in the West gaining massive rounds of applause. And now a painter found it in his mind and heart to portray them proper and put the painting on display for all to see. Strange that fellow Romanians try and prohibit him doing so. Seems there is some misunderstanding going on, toput it mildly. Maybe, to concur with the political idea, the museum that was sought out to do the display was not the correct one, maybe a different museum should have the honor. For instance, you don't put a Rembrand on display in a museum for ancient letters of futuristic cutlery. Then, feet back on earth, this is of course just the beginning of an anti campaign that only starts here. There is some jealousy present, these musicians being asked to perform abroad and earning actual money can aggrevate a not well earning politician. In short, I hail you salutes painter and museum director for your bravery, how ever shortlived the exhibition was in the end, your stance made world news. Let art be present in an art-museum and if paintings of musicians are among that art, then them too have to get a proper museum wall on which to hang and be shown to the public. No censorship should be allowed to rule out that right. The museum director should be the one person (with his staff) to program an exhibition and no political influence should interfere.
Els, you can write my name down on the signed list.
Menno van der Reijden,
chairman to the Hot Club de France-Nederland Fondation
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Comment by Patrick Jasper Lee on September 8, 2014 at 9:59
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Yes, please add my name to this list. I FULLY support you.
Patrick Jasper Lee, author, artist, composer.
Thanks, and kushto bok with all your campaigns.
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